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Konno and the Web Kanada Movement

The Web Kanada Movement is now a popular breeding ground for many limited frame animators throughout the world, and it’s perhaps due to an unsuspecting Studio Break fanboy expanding anime movement vocabulary altogether. There still is a surprising growth in the use of ‘Konno/Web-Kanada smears’ as a regular tool thanks to Yuki Hayashi being partly inspired by Konno himself.  Being the only predominantly Alt-Kanada founder out of an indirect bunch, Naoyuki Konno has fathered the Web-Kanada movement by innovating quite a lot of batshit, then-little known ideas from the mid-1990s and beyond. With his otherwise realistic shading thanks to Studio Break’s influence, he also created what are now called the ‘Konno/Web-Kanada smears’ for everyone to see!  Being a studio break fanboy at heart, Naoyuki Konno also has animated surfing, Glen Keane-ish Super Robot scenes in Martian Successor Nadesico, which funnily enough resemble a lot of Disney’s Tarzan tree surfing scenes. He’s also the f...
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Rarotonga and her complicated legacy

Apart from Rubi, which spawned its own bigger franchise, there is no Mexican adult comic as captivating as Rarotonga, even though it’s rather stereotypical by both Mexican and most developed countries’ standards. Otherwise, keep in mind that despite its inherent objectification and misogyny (racism is also pretty bad in the comic, albeit not as obvious as the moderately toned down sexism), it remains the better written (1970s onward) and more captivating reboot of a 1950s Mexican adult comic named Taboo, which itself couldn’t hold up much in as early as the sixties, rather tellingly due to being more blatantly flagrant in terms of sexism than even the original Astro Boy manga created in 1952.  As suggested by looking at her somewhat ambiguous features in such a comic (itself somewhat fair for its day), Rarotonga surely is one of Mexican comics’ first mixed race baddies to gain consistent international popularity (at least in much of Latin America). Although she’s confusingly called...
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Why do we?

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