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Rarotonga and her complicated legacy

Apart from Rubi, which spawned its own bigger franchise, there is no Mexican adult comic as captivating as Rarotonga, even though it’s rather stereotypical by both Mexican and most developed countries’ standards. Otherwise, keep in mind that despite its inherent objectification and misogyny (racism is also pretty bad in the comic, albeit not as obvious as the moderately toned down sexism), it remains the better written (1970s onward) and more captivating reboot of a 1950s Mexican adult comic named Taboo, which itself couldn’t hold up much in as early as the sixties, rather tellingly due to being more blatantly flagrant in terms of sexism than even the original Astro Boy manga created in 1952.  As suggested by looking at her somewhat ambiguous features in such a comic (itself somewhat fair for its day), Rarotonga surely is one of Mexican comics’ first mixed race baddies to gain consistent international popularity (at least in much of Latin America). Although she’s confusingly called...
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Why do we?

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The Shōnen Jump meme worthy implications of Tarzan

Now, if anyone can remember watching Disney’s Tarzan this frequently? If so, remember that the Johnny Weissmuller movies were much further from the sources (except the canon elements) than even the Disney films and tv show. That’s why the Disney version has become the most accessible and successful depiction of Edgar Rice Burroughs’ Tarzan brand in recent years, admittedly still loose but great enough not to offend most of the staunchest relative purists, who have forgiven the Disney version for that reason.  The same might not be said for the canonists, since they frankly do not publicly tolerate anything that’s not canon, which is perhaps why they still basically revise the frick out of canon Tarzan in order to keep the soul frying fanservice as the only intact point of the story, partly thanks to the Shōnen Jump meme worthy implications of the ERB Universe Tarzan being an orc-like destroyer of both humans and nonhumans alike.
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