Obscure Adventures in Geek and Nerd Culture

The Boy Champion guide mainly refers to the out of story mythos surrounding the postwar version. Created by the man behind both Kenya Boy and Tiger Boy, the story focused on a foundling raised by Grauer’s gorillas in the central eastern Congo Kinshasa. The original Boy Champion was made as Sōji Yamakawa’s first ever major work in 1931. It was the Kamishibai prototype for the wackier and better known postwar (picture story and Kamishibai) version which came fifteen years later, 2 subsequent versions from 1963-64 and 1974, and a short faux finale/sequel analysis in 1980. I think it’s due to the fact that it should’ve been made in 24 volumes during its creator’s lifetime.  While the stories from the 1946-52 sludge period are largely not available for reprinting due to containing controversial contents, the 1961-62+1965-66 Sanpei Shirato and Jirō Tsunoda manga does contain most of them.  The Omoshiro Book+Yonen Book period has more interesting stories than the previous sludge period, not o

When Sōji Yamakawa was about twenty four, his original Tiger Boy story was launched to great fanfare in the streets of Japanese cities. Unluckily, that original version was a propaganda piece for the infamous Japanese occupation of Manchu lands during the early Showa period.  In order to reveal the historical context behind the first Tiger Boy story, three currently mainland Chinese states of the far northeast were once in a puppet state ruled by the deservedly infamous imperial Japanese military. No wonder why it might have stopped running when Pearl Harbour came along!  In the early post war years, seminal Kamishibai artist-historian Kōji Kata (1918-98) made a retelling of pre-war Tiger Boy, but only for a brief time since it’s not a totally official one.   Near the end of October 1955, a new Tiger Boy story launched on the infamous Sankei Shimbun newspaper, but only lasted for over three years up until May 1959. Nonetheless, although it hasn’t been reprinted since the 1960s and shou

It’s hard to believe that Baruuba no Bōken is a once-domestically popular but now largely retired franchise, which was created initially as both an unofficial Tarzan retelling and a spinoff book series by Yoshimasa Ikeda for his own Tarzanesque character, the first Baruuba himself. In fact, it is likely the first franchise to be publicly acknowledged as a series of unofficial Tarzan retellings.  The classic Baruuba and his official expy, the Hideo Oguni created Buruuba, are two different characters who have similar backstories, but otherwise end up becoming different heroes due to different circumstances.  There are technically seven books in the Baruuba no Bōken series, but only six are numbered as such because the first one was likely a partial prototype. The last one by the creator, a largely complete but not totally finished novel, wouldn’t be released until 1992, likely because there are too many complicated circumstances behind its freaky development hell. Good examples of the or

Hello Galaxy Hoppers, Dragon Questers and fellow Pulp Freaks. I am a phone addicted underground writer and artist, who will present this article for you to enjoy.  Yoshimasa Ikeda (池田宜政), known by his main aliases Yoichiro Minami and Nobumasa Ikeda, was born on the 20th-21st of January 1893. Before writing a smash hit called The Roaring Jungle for Kodansha’s Shōnen Club magazine, he began his career by making Domestically Japanese books and translating non-Japanese books for his original market of primary school children and a then-untapped market of what are now called preteen boys and girls.  As a chauvinistic Jungle Hunting Fantasy story, The Roaring Jungle not only had follow ups but also spawned a line of loosely related books, which mainly focused on a rather questionable dude, always under the delusion of being a Great White Hunter (which is itself a messed up construct), capturing animals now familiar to Japanese audiences for filthy circuses and cramped zoos.  The funny thing