Apart from Rubi, which spawned its own bigger franchise, there is no Mexican adult comic as captivating as Rarotonga, even though it’s rather stereotypical by both Mexican and most developed countries’ standards. Otherwise, keep in mind that despite its inherent objectification and misogyny (racism is also pretty bad in the comic, albeit not as obvious as the moderately toned down sexism), it remains the better written (1970s onward) and more captivating reboot of a 1950s Mexican adult comic named Taboo, which itself couldn’t hold up much in as early as the sixties, rather tellingly due to being more blatantly flagrant in terms of sexism than even the original Astro Boy manga created in 1952. As suggested by looking at her somewhat ambiguous features in such a comic (itself somewhat fair for its day), Rarotonga surely is one of Mexican comics’ first mixed race baddies to gain consistent international popularity (at least in much of Latin America). Although she’s confusingly called...
The certainty that Kodansha’s Weekly Shōnen Magazine began life with of all things - a classy Tetsujin 28 competitor - is a frankly unknown curio amongst super robot fans outside Japan. Amongst his works besides Kuro Obi Kun and the less popular Tokyo Tarzan, No. 13 Take Off is a creation of Yoshiteru Takano, an unsung manga author turned camera store pioneer. Despite its more hokey design, it’s much unlike the remote controlled and ugly-cute Tetsujin 28, who likely has the interesting title of being ‘the first robot character of what’s now considered the unlikely but true first Mon-themed work ever’. Although indirectly inspired by Manoel Messias de Mello’s Audaz the Demolisher, the first piloted non-American super robot with its own eponymous comic, Ken Ishikawa’s Getter Robos have more famous exploits. Frankly, the Getter Robos also have another stylistic predecessor in Leonel Guillermo Prieto’s similar but lesser known Invictus from Mexico, who technically is the antagonistic ...
The plausible plans for the Mazinger franchise’s 55th anniversary will include a Shueisha Dash X Bunko serial novelisation and a 28 volume Shueisha manga line focusing on at least the four main franchise robots. The first show, based largely on its manga counterparts, will focus on both Mazinger Z and Great Mazinger themselves. Mazinger Z is an everlasting icon with distant links to Alexander Belyaev’s sci fi works. Its most faithful onscreen adaptation to date will feature a multilingual soundtrack. Unlike every other animated version, it will be co-produced by Studio VOLN and Holy Cow. It is also going to be distributed by Aniplex internationally, with permission from the Dynamic Group (Go Nagai’s Dynamic Planning, Gogasha and Dynamic Productions). While Masaaki Yuasa will still helm it to an extent, Nobutake Ito will storyboard and co-write the whole show from scratch. Rising icon and soon to be fellow co-creator Toshiyuki Kanno will serve as a character designer fo...
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