Yuasa spinoff school lineage

The Yuasa Lineage

Yuasa School 
Yuichiro Sueyoshi 
Masaaki Yuasa 
Michio Mihara 
Nobutaka Ito 
Ryōtaro Makihara
Naoyuki Asano 

*Tellingly, the Yuasa effects and character acting school is a downplayed hybrid of Kanada and expressionist styles as with that of the Kozuma school, yet tends to lean into less boredom inducing scenarios. However, it’s not quite closely related to the Mao Lamdo school lineage and is still more related to the Kozuma school, even though it feels similar to the former.

The Tomonaga Lineage  

Tomonaga School
Kazuhide Tomonaga 
Atsuko Tanaka

*Despite currently showing off much different looks, Tomonaga and Tokura still have more in common than what they usually appear to be due to Masahito Yamashita’s obvious early fission-fusion influence on both. The ‘Tokura Tentacle’, the rough and slowly twisting acting style popularised by him but created by his indirect seniors Miyazawa and Tomonaga, also has become such a strong characteristic that Yuichiro Sueyoshi and Shingo Yamashita exploit it even further. Oddly enough, Koh’s style seems too unique at first to be considered a normal neo-Kanada style, but ultimately has roots in both Tomonaga and Kanada styles anyway. 

Kozuma School 
Keiichiro Kimura > Shinsaku Kozuma 
Shingo Yamashita

*The unlikeliness of Kozuma’s effects lineage having survived the influential pre-Kanadafication age of Japanese tv is a telling indicator, since it began with. Sakamoto indeed was one of the most influential Mushi Pro and Toei animators alive, which meant that Kozuma himself has now gained a school of fellow distinct animators, who don’t just adhere to some bits of his own process but also have added a crapload of older effects from him. Itsuki is the next Yasunori Miyazawa, a true wizarding legend in terms of anime effects. 

The Kameda Lineage 

Tanaka School
Tatsuo Yamada
Hironori Tanaka
Hiroshi Tomioka 

*Oddly enough, Hironori Tanaka’s got a more Kozuma like effects style, but enough not to be too jarring, given his stronger and more obvious inspirations in Dezaki, Yuasa, and Ohira, all via Yamashita, Kozuma and Kanada through Yasunori Miyazawa. Given that Shinsaku Kozuma and Atsushi Yano are his biggest influences after Masaaki Yuasa, Kenji Hayama and Tatsuo Yamada, there are some cool Ohira like effects as well, though they’re more likely from Shinya Ōhira’s own early years since Yano’s friend himself has long been transformed into the master of surreal Mao Lamdo style wizardry. 

Kameda School
Yoshimichi Kameda
Sakiko Uda 
Kai Ikarashi 
Shuhei Yasuda
Hiroaki Takagi 
Ichigo Kanno

*Yoshimichi Kameda is influenced not just by Yoshinori Kanada and Yasunori Miyazawa via Takahiro Kagami and Mitsuru Obunai, but also by fellow colleagues such as Hiroyuki Imaishi and the liquid Naoki Tate. Even so, there also are slight bits of both Shinya Ohira’s and Masaaki Yuasa’s early styles in his works, even though that’s from Shinya Ōhira’s co-founding of Studio Break with fellow Maeda and Kozuma (via Yamashita) fanatic Yano. However, as Masaaki Sato turns out to be his unlikely strongest inspiration, he remains one of the last true animators to directly descend in terms of style from Kusube, Obunai, Shida and Kanada. 





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