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Why do we?

Isn’t it interesting when you’ve been looking for a ton of anime terminologies that deserve to get attention? There are so many Pers-Kun movement terminologies that deserve international recognition mainly because it’s actually pretty hard to document such terminologies.  Obari Pers-Kuns  Obarism: The highly similar approaches that Masami Obari and his friend Yousuke Kabashima amongst the Obarians animate very complex yet still readable things that go side by side. 
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Konno and the Web Kanada Movement

The Web Kanada Movement is now a popular breeding ground for many limited frame animators throughout the world, and it’s perhaps due to an unsuspecting Studio Break fanboy expanding anime movement vocabulary altogether. There still is a surprising growth in the use of ‘Konno/Web-Kanada smears’ as a regular tool thanks to Yuki Hayashi being partly inspired by Konno himself.  Being the only predominantly Alt-Kanada founder out of an indirect bunch, Naoyuki Konno has fathered the Web-Kanada movement by innovating quite a lot of batshit, then-little known ideas from the mid-1990s and beyond. With his otherwise realistic shading thanks to Studio Break’s influence, he also created what are now called the ‘Konno/Web-Kanada smears’ for everyone to see!  Being a studio break fanboy at heart, Naoyuki Konno also has animated surfing, Glen Keane-ish Super Robot scenes in Martian Successor Nadesico, which funnily enough resemble a lot of Disney’s Tarzan tree surfing scenes. He’s also the f...
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The Shōnen Jump meme worthy implications of Tarzan

Now, if anyone can remember watching Disney’s Tarzan this frequently? If so, remember that the Johnny Weissmuller movies were much further from the sources (except the canon elements) than even the Disney films and tv show. That’s why the Disney version has become the most accessible and successful depiction of Edgar Rice Burroughs’ Tarzan brand in recent years, admittedly still loose but great enough not to offend most of the staunchest relative purists, who have forgiven the Disney version for that reason.  The same might not be said for the Universe canonists, since they frankly do not publicly tolerate anything that’s not canon, which is perhaps why they still basically revise the frick out of canon Tarzan in order to keep the (Fundamentalist Christian soul frying) fanservice as the only intact point of the story, partly thanks to the Shōnen Jump meme worthy implications of the ERB Universe Tarzan being an orc-like destroyer of both humans and nonhumans alike, which perhaps is ...
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