Tsukioka spinoff school lineage

The Tsukioka Lineage 

Rintaro School
Rintarō  
Tetsuya Nishio 
Tomohiro Shinoda

*The giant long term impact of Rintaro on the anime industry as a whole is at its all time most obvious in the fish eyed duck mouth style of Tetsuya Nishio, perhaps suggesting that he has inherited quite a lot of otherwise realist things from Rintarō himself. Nishio also animates similarly to Takashi Nakamura, suggesting a realist origin through adapting the Utsunomiya style of motion into semi-cartoony realist drawings on somehow less frames than Norio’s. Norio’s is based on Takashi Nakamura’s, with somewhat less frames, while his friend Masaaki Yuasa’s Ohira on Kanada. Both are semi-mainstream drawing styles on the Shinya Ohira scale. 

Tsukioka School
Sadao Tsukioka 
Tsuneo Ninomiya > Norio Matsumoto 
Masashi Ishihama 

Kanemori School 
Yoshinori Kanemori 
Norio Matsumoto
Kenichi Kutsuna 

*Yoshinori Kanemori’s school is indeed a hybrid of Itano and Tohoku Realist styles, meaning that he still has quite a ton of imitators. Kutsuna is definitely a talented director, mashing multiple styles while blending them with his own. Though Norio Matsumoto came from the Tatsunoko lineage, he adopted quite a lot of Yasunori Miyazawa’s and Takashi Nakamura’s rarely seen early tricks and popularised them all. Norio has a very popular style that gets imitated by thousands of animators internationally. 



Comments

Post a Comment

Popular posts from this blog

Konno and the Web Kanada Movement

The Web Kanada Movement is now a popular breeding ground for many limited frame animators throughout the world, and it’s perhaps due to an unsuspecting Studio Break fanboy expanding anime movement vocabulary altogether. There still is a surprising growth in the use of ‘Konno/Web-Kanada smears’ as a regular tool thanks to Yuki Hayashi being partly inspired by Konno himself.  Being the only predominantly Alt-Kanada founder out of an indirect bunch, Naoyuki Konno has fathered the Web-Kanada movement by innovating quite a lot of batshit, then-little known ideas from the mid-1990s and beyond. With his otherwise realistic shading thanks to Studio Break’s influence, he also created what are now called the ‘Konno/Web-Kanada smears’ for everyone to see!  Being a studio break fanboy at heart, Naoyuki Konno also has animated surfing, Glen Keane-ish Super Robot scenes in Martian Successor Nadesico, which funnily enough resemble a lot of Disney’s Tarzan tree surfing scenes. He’s also the f...
Read more

Why do we?

Isn’t it interesting when you’ve been looking for a ton of anime terminologies that deserve to get attention? There are so many Pers-Kun movement terminologies that deserve international recognition mainly because it’s actually pretty hard to document such terminologies.  Obari Pers-Kuns  Obarism: The highly similar approaches that Masami Obari and his friend Yousuke Kabashima amongst the Obarians animate very complex yet still readable things that go side by side. 
Read more

The Shōnen Jump meme worthy implications of Tarzan

Now, if anyone can remember watching Disney’s Tarzan this frequently? If so, remember that the Johnny Weissmuller movies were much further from the sources (except the canon elements) than even the Disney films and tv show. That’s why the Disney version has become the most accessible and successful depiction of Edgar Rice Burroughs’ Tarzan brand in recent years, admittedly still loose but great enough not to offend most of the staunchest relative purists, who have forgiven the Disney version for that reason.  The same might not be said for the Universe canonists, since they frankly do not publicly tolerate anything that’s not canon, which is perhaps why they still basically revise the frick out of canon Tarzan in order to keep the (Fundamentalist Christian soul frying) fanservice as the only intact point of the story, partly thanks to the Shōnen Jump meme worthy implications of the ERB Universe Tarzan being an orc-like destroyer of both humans and nonhumans alike, which perhaps is ...
Read more