The bewitching history of Yo Compro Esa Mujer
Inspired by the Count of Monte Cristo is a classic in radionovela history named Yo Compro Esa Mujer, created by Cuban grandmaster Olga Ruilópez. The story began life as a now long gone Cuban radionovela which likely aired at the same time as the first Corazón Salvaje radionovela. The 1960 Puerto Rican telenovela was the first onscreen version of the tale, which might’ve been a good thing, but its cast wasn’t as diverse as that of the absolutely fabulous Brazilian version. The 1965 Venezuelan telenovela was clearly insanely bad even by LatAm standards of the 1960s. Since its incredibly questionable casting decisions might’ve baffled even its own (otherwise media-illiterate) audience, it was so bad that it’s pretty much forgotten at the end of that decade. The 1968 Brazilian telenovela is likely the best of the 1960s versions, having an all star cast which might’ve entertained audiences back in its time of airing. It even featured a few Pardo and Afro Brazilian act...